Keeravani however compensates for the lack of that advantage here with the background score, that thematically rhymes with Gopal Reddy's grandiose and scenic shots of the Tirumala hillsides. In the latter films' case, it is perhaps because we already knew Annamacharya keerthanas and Ramadasu songs even before those films came out, and the music had a familiarity to build on, that the popular songs had it easy. He visits Tirumala, and eventually becomes Hathiram Bhavaji.Īs is the norm, there are songs at every turn, but only a few stand out just like in Annamayya or Ramadasu. When it later dawns upon him, he repents, and is now even more desperate to again meet Him. Rama doesn't recognize Him and shoos Him away. Rama (Nagarjuna) is hell bent on seeing God, and is advised by his guru (Sai Kumar) to do a tapassu (penance). And it robs you of your painful wait for the ultimate redemption. God appears too easy, too soon and too frequently. There is an enchanting chemistry between God and the devotee, but there is no conflict. When Ramadasu finally dares the Lord singing "evadabba sommani kulukuthu tirigevu ramachandra", you marvel at the enigmatic silence of God that doesn't mind his dying devotee. Hathiram Bhavaji's story, despite being heavily fictionalized, doesn't have much dramatic appeal. And Nagarjuna doesn't disappoint this time either.īut there is only so much that a performance can shoulder when the drama is crippled. In all the earlier films (barring Shirdi Sai, in which he plays the saint instead of devotee), his momentary separation from the Almighty and his eventual suffering never simply stood as a show of his prowess but also evoked a deep empathy in the viewers. Nagarjuna's tearful eyes have their own way of portraying boundless adulation and borderline-destructive obsession towards his beloved God. But be it the evergreen Annamayya or the almost equally good Sri Ramadasu, what outshined all this desperate glamourization and blatant exaggeration is how consistently excellently Nagarjuna fleshed out his performances every time. A slightly revisionist take of devotee dramas that are very conscious and cautious of the commercial appeal and narrative tautness needed, to the extent that they never shied away from comedy tracks, cleavages and the timeless fruits-on-the-navel routine. The Nagarjuna - Raghavendra Rao devotional films have become a genre unto themselves. His endeavours to do so, the hurdles and his encounters with the Lord himself is the story.". He decides to change the face of Tirumala by turning it into ‘Kaliyuga Vaikuntham’ both for pilgrims and the deity with the help of Krishnamma. What, so now you want to know what the movie's about? Here's the plot: "Raama, who is a devotee of Lord Venkateswara, denounces worldly pleasures including his soon-to-be-bride and maradalu Bhavani and ends up at Tirumala. Released, 'Om Namo Venkatesaya' stars Nagarjuna Akkineni, Anushka Shetty, Jagapati Babu, Sourabh Raaj Jain The movie has a runtime of about 2 hr 24 min, and received a user score of 25 (out of 100) on TMDb, which assembled reviews from 2 top users. Now, before we get into the various whats and wheres of how you can watch 'Om Namo Venkatesaya' right now, here are some particulars about the Sai Krupa Entertainment drama flick. We've listed a number of streaming and cable services - including rental, purchase, and subscription alternatives - along with the availability of 'Om Namo Venkatesaya' on each platform when they are available. Need to watch ' Om Namo Venkatesaya' on your TV or mobile device at home? Tracking down a streaming service to buy, rent, download, or watch the K Raghavendra Rao-directed movie via subscription can be a huge pain, so we here at Moviefone want to take the pressure off.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |